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Editorial Board
Naomi Washer, Editor-in-Chief Naomi Washer is the author of American Girl Doll, forthcoming from Ursus Americanus Press. Her work has appeared in The Account, Interim, The Boiler, Homonym, Split Lip Magazine, Essay Daily, and other journals. She has received fellowships from Yaddo and Columbia College Chicago where she earned her MFA in Nonfiction. She lives in Chicago. More about her work can be found at naomiwasher.com.
Patrick Thornton, Managing Editor Patrick Thornton is a graduate of Columbia College Chicago's Creative Nonfiction MFA Program. After finishing graduate school he was a resident artist at the Vermont Studio Center. His work has appeared in Entropy, The Collapsar, Vol. 1 Brooklyn, and Redivider, among others. He currently works as a freelance writer and editor. More about his work can be found at patrickthorntonwriter.com
James Eidson, Associate Editor James Eidson's work has appeared in Sixth Finch, H_NGM_N, Columbia Poetry Review, Forklift Ohio, Ampersand Review, and Whiskey Island, among other journals. He also writes book reviews for MAKE: A Chicago Literary Magazine. He lives in Chicago.
Adriana Gonzalez, Associate Editor/Features Editor Adriana Gonzalez's essays and prose poems can be found in Hippocampus, Dead Flowers: A Rag, Cactus Heart Press, and Inlandia, among other journals. She currently lives and writes in Iowa.
Melissa Haklitch, Associate Editor/Social Media Manager Melissa Haklitch is a poet living in Seattle whose work has appeared in Funeral Parade and Troop Magazine among other places. She holds an MFA from California State University, San Bernardino. She isn’t afraid to stalk you on social media, and after a glass or two of cab sauv, may even like your photo from 125 weeks ago.
Creative Team
Darcy Scanlon Moulton, Guest Artist Issue 9 Darcy Scanlon Moulton is an emerging artist living and working in Ipswich, Massachusetts. She was educated at Montserrat College of Art, Randolph-Macon Women’s College, and the Harvard Extension School. Her work is in a broad range of mediums including charcoal, pastels, graphite, ink, acrylics, and watercolors. Inspired by humanity’s codependent and often abusive relationship with nature, she uses single subject realism and expressionistic landscapes to draw on both the magic and tragedy in them. Her work is held in private collections throughout the United States, and recently exhibited at the John James Audubon Center’s Gallery in Pennsylvania, The Arabella Gallery in Beverly Massachusetts, and The LemonTree Gallery in Ipswich, Massachusetts. www.hemlockend.com
Zachary Zalman Green, Co-Founding Editor